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・ Jorge Mautner
・ Jorge Mautner - O Filho do Holocausto
・ Jorge Mayer
・ Jorge Maíz Chacón
・ Jorge Mañach
・ Jorge McFarlane
・ Jorge Medina
・ Jorge Medina Vidal
・ Jorge Mejia
・ Jorge Meléndez
・ Jorge Melício
・ Jorge Mendes
・ Jorge Mendonça
・ Jorge Mendoza
・ Jorge Mendoza Garza
Jorge Merced
・ Jorge Meretta
・ Jorge Merino
・ Jorge Meré
・ Jorge Mester
・ Jorge Meyer Long
・ Jorge Miguel Dias Gonçalves
・ Jorge Miguel Machado Almeida
・ Jorge Miguel Martin
・ Jorge Miguel Soares Vieira
・ Jorge Miramón
・ Jorge Mistral
・ Jorge Molina
・ Jorge Molina Cabrera
・ Jorge Molina Enríquez


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Jorge Merced : ウィキペディア英語版
Jorge Merced

Jorge B. Merced (born 1965) is a New York-based Puerto Rican actor, theatre director, and gay activist. He is associate artistic director of Pregones Theater, a bilingual (Spanish/English) Puerto Rican/Latino theater company located near Hostos Community College in the Bronx, New York City. He is best known for his role as Loca la de la locura (Queen of Madness ) in Pregones’s play ''El bolero fue mi ruina'' (Bolero Was My Downfall ).
==Life==
Merced was born and raised in Carolina, Puerto Rico, and came to the United States as an adult in 1982. He started out as a dancer in college and went on to receive an undergraduate degree from the City College of New York (CUNY) Theatre Department, also studying at the Escuela Internacional de Teatro de América Latina y el Caribe (EITALC) (School of Latin American and Caribbean Theatre ) in Cuba and at the Alvin Ailey School in New York.〔Teatro Pregones, ("Key Artists & Staff" ), retrieved on 1 January 2009.〕〔López, Arnaldo. ("Teatro Pregones: Interview with Jorge Merced." ) ''Community Arts Network Reading Room'' (2001), retrieved on 2 January 2009.〕 Merced is fully bilingual in English and Spanish and performs in both languages. He has trained, performed, and directed throughout the U.S. and abroad in Brazil, Chile, Cuba, France, Mexico, the Netherlands, Nicaragua, Peru, Portugal, Puerto Rico, Slovakia, and Spain. Merced is openly gay and has spoken about how his personal experiences in Puerto Rico and New York have been profoundly marked by his sexuality.〔La Fountain-Stokes, Lawrence. "Entre boleros, travestismos y migraciones translocales: Manuel Ramos Otero, Jorge Merced y ''El bolero fue mi ruina'' del Teatro Pregones del Bronx." ''Revista Iberoamericana'' 71.212 (July-Sept. 2005): 887-907.〕〔La Fountain-Stokes, Lawrence. "Trans/Bolero/Drag/Migration: Music, Cultural Translation, and Diasporic Puerto Rican Theatricalities." ''WSQ: Women's Studies Quarterly'' (Special Issue on "Trans-") 36.3-4 (Fall/Winter 2008): 190-209.〕

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